| Damir is the new modern architect against | | | | growth from living in Japan. Black and White |
| conformity and commercialism and at the same | | | | encompasses this idea by stepping into technology |
| time free spirited to be categorized, crossing over | | | | and keeping with the formula of the traditional |
| from the stage to the podium and back to the | | | | hip-hop track. |
| stage. Black and White is Damir's most | | | | The balance between the keyboard technology |
| accomplished release to date, an album that is | | | | and tradition shines light on inventiveness and |
| inspired; inventive, ambitious and cutting edge | | | | capabilities of his caliber. The most interesting |
| lyrically. Having spent time in Tokyo, Japan, Damir | | | | element of Damir's music is the multiplicity of |
| accomplished a track giving respect to Japanese | | | | styles. As most albums wrap themselves around |
| Culture as well as introducing himself to his new | | | | concepts, the wonderment of a one hit song, and |
| audience. Crossing all barriers, when moving to a | | | | finally many guests featured on each track, Black |
| non-English speaking country this artist put his | | | | and White has no blueprint to the existing one |
| best foot forward and put together White Boy | | | | album mind sketch. |
| Gaijin, where Damir raps in Japanese. | | | | Combining hip hop 70s with a future techno |
| Typically, Black and White is an English album, with | | | | industrial edge. |
| an attempt to cross over to a new market. | | | | Rap music, specifically Damir, has freed us from |
| Maybe a marketing ploy as most would see it, | | | | many conventional song-writing formulas. |
| but I see it as sincere, genuine and a natural | | | | |